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    I use a bullwhip to fragment a sheet of paper (originally, proportioned to the golden ratio) to explore themes of artistic futility and confront the anxiety of facing the unknown, blank rectangle. By approaching its surface with something of a weapon, I feel empowered and my discomfort with it subsides. Expelling a range of motions onto its surface, the paper becomes a repository for my offences and a document that criminalizes me at the same time as it liberates. To compensate for this offencive activity, I reconstruct the broken pieces back together using safety pins. 
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