I fragmented a retired Soviet army tent and created an installation using its most exterior layer as a stage curtain, its second flannel layer for flat wall works made of thousands of scrolls, and its most interior cotton layer for the production of costumes. Phase II of the project was a durational performance where I stamped a traditional Russian embroidery motif onto a roll of rice paper with the fingerprints of the exhibition attendees. The performers, dressed to represent the characters in the aforementioned embroidery design, performed gestures each time a new fingerprint was imprinted onto the paper.   Produced while at Gridchinhall Artist Residency, Moscow, Russia September 2011 to January 2012, organized by Salamatina Gallery, with the support of the Fulbright Program, Institute of International Education. 
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